Scuderie del Quirinale reopens with an exhibition of great cultural and symbolic importance “Tota Italia. Origins of a nation”, a joint production of Scuderie del Quirinale and the General Direction of Museums of the Ministry of Culture. Curated by Massimo Osanna and Stéphane Verger.
Punti di interesse
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Tota Italia. The Origins of a Nation
Introduction -
Funerary monument with dancing maidens
Introduction -
Altar dedicated to Mars, Venus and Silvan
Introduction -
Tota Italia
Room 1 -
Relief decorated Throne
Room 1 -
Ritual basin (podanipter) with three Nereids carrying Achilles' weapons
Room 1 -
A Mosaic of Peoples. Perpetuating the memory and identity of the group: funerary rites
Room 2 -
Gli elmi di Montefortino
Room 2 -
Jewels as a mirror of social roles
Room 2 -
Grave goods from "the two warriors burial"
Room 2 -
Grave goods from a female burial
Room 2 -
Painted tomb slab with welcoming of the departed scene - Painted tomb slab with return of the warrior scene
Room 2 -
Box mirror with embossed lid
Room 2 -
A mosaic of peoples: the languages
Room 3 -
Jewelry cista with archaic Latin inscription
Room 3 -
Liver model for divination practices with Etruscan inscriptions
Room 3 -
Legal text in Etruscan language
Room 3 -
Folded sword with archaic Latin inscription
Room 3 -
Stele with Oscan language inscription and boar decoration
Room 3 -
A Mosaic of Peoples: religious cults
Room 4 -
The cult of Hercules
Room 4 -
Offerings to the gods
Room 4 -
Statue of Mater with twelve children
Room 4 -
Statue of enthroned deity, Angitia
Room 4 -
Statue of enthroned worshiper with piglet
Room 4 -
Shield device (episema) with Taras
Room 4 -
Votive deposits
Room 4 -
Votive deposit to the goddess Reitia
Room 4 -
Votive deposit to the goddess Mefitis
Room 4 -
Rome and the Italics. Contacts with the Mediterranean
Room 5 -
The Sanctuary of Monte Rinaldo
Room 5 -
Statue of the Boxer at rest
Room 5 -
Relief with a battle scene between a Greek horseman and a Persian
Room 5 -
Rome and the Italics. Wars
Room 6 -
Votive plate with depiction of a war elephant
Room 6 -
Relief of Roman warships
Room 6 -
Ballistae projectiles and fragments of Greek architectural elements
Room 6 -
Frieze with battle scene between Galatians (Celts) and Greek deities
Room 6 -
Colonies and Municipia. Territorial organization
Room 7 -
Foundation rituals
Room 7 -
The name Italia
Room 7 -
Centuriation
Room 7 -
Tablet with a Latin law, later inscribed with a law in Oscan language
Room 7 -
Oscan inscription on Pompeian streets and distances
Room 7 -
Frieze with scene of foundation ceremony (sulcus primigenius)
Room 7 -
Statue of Marsyas with slave shackles
Room 7 -
Colonies and Municipia. Religio and luxury
Room 8 -
Religio
Room 8 -
Fulgur conditum
Room 8 -
Living in luxury
Room 8 -
New images for a new era
Room 8 -
Dying in luxury
Room 8 -
Fresco of ducks hanging and two roe deer
Room 8 -
Representation of Isis-Fortune and a naked young man with graffito inscription
Room 8 -
Capitoline Triad
Room 8 -
Torso of Asclepius
Room 8 -
Votive relief with the recovery of a statue of Hercules from the sea
Room 8 -
Round altar decorated with the Twelve Gods
Room 8 -
Relief with funerary procession
Room 8 -
Funerary bed with applied decorations
Sala 8 -
Statue of Apollo oil-lamp holder
Room 8 -
Nos sumus romani. The faces of Roman Italy
Room 9 -
The portraits of the school of doctors from Velia: images and memories of a city
Room 9 -
Portrait of an elderly man
Room 9 -
Portrait of a mature man, called Lepidus
Room 9 -
Tota Italia. Italy “united” in the name of Augustus
Room 10 -
Augustus and his descendants
Room 10 -
A new golden age: Augustus and the Ludi saeculares of 17 BCE
Room 10 -
Time and holidays
Room 10 -
Portrait of Augustus with veiled head
Room 10 -
Victory's wing
Room 10 -
Relief with representation of a temple
Room 10